Talk by Muriel Kahwagi
How did Zajal poetry practices become professionalized?
This presentation revolves around the tradition of Zajal Poetry and its performance. It studies the dynamics, rules, roots, history and culture behind this artistic practice and also explores its transformation from a cultural art-form into a profession in modern Lebanon
Sources & Future References
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- Yaqub, Nadia G. Pens, Swords, And the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee. BRILL, 2007.
- Horn, David and John Shepherd. Bloomsbury Encyclopedia of Popular Music of the World, Volume 10: Middle East and North Africa. Bloomsbury Publishing, 2015.
- Saju, Amin B. Muslim Modernities: Expressions of the Civil Imagination. I.B. Tauris, 2008.
- Cachia, Pierre. Exploring Arab Folk Literature. Edinburgh University Press, 2011.
- Zwartjes, Otto. Love Songs from Al-Andalus: History, Structure, and Meaning of the Kharja. BRILL, 1997.
- Yaqub, Nadia. “Towards a Synchronic Metrical Analysis of Oral Palestinian Poetry.” Al-‘Arabiyya, Volume 36, 2003, pp. 1-26.
- Beinin, Joel. “Writing Class: Workers and Modern Egyptian Colloquial Poetry (Zajal).” Poetics Today, Vol. 15, No. 2, 1994, pp. 191-215.
- Semah, David. “Modern Arabic Zajal and the Quest for Freedom.” Journal of Arabic Literature, Vol. 26, No. ½, 1995, pp. 80-92.
- Haydar, Adnan. “The Development of Lebanese Zajal: Genre, Meter, and Verbal Duel.” Oral Tradition, Volume 4, No. 1-2, 1989.
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